![]() In what follows, each song title links to a performance on YouTube, and each manuscript reference is linked to the first page of the song's appearance in MS C. Machaut begins, however, with the older monophonic style of the lai and with strophic forms such as the complainte. These newer, more complex musical styles are, on the other hand, based on refrain structures that come from lower-register or popularizing dance genres. The songs move from the longest and most poetically complicated to the shortest and simplest, but in terms of musical style the move is from simpler monophonic genres to polyphonic songs using the rhythmic innovations available in the latest notational style. They also exemplify his move from what Sylvia Huot has called “a poetics of desire.to one of hope” (Huot 2002, 172). (An eighth lyric poem, labeled “priere” or prayer, appears without music.) These songs help tell the story of the narrator’s development, as he not only learns how to love properly, but how to create poetry and music in the new style represented by the formes fixes of ballade, virelai, and rondeau. The Remede includes seven songs, which are copied with their music in most of the main Machaut manuscripts.
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